Telling a Story: A Documentarian Eye

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Senior Conservator Elsa Sangouard and Archaeological Conservators Laurie King and Lesley Haines screen concretion removed from USS Monitor artifacts.

A man of many hats

I did not expect how many photography styles I would have to be familiar with as a museum photographer. I might have on my technical photographer hat; focused on meeting set standards to ensure precision reproduction is possible. A little later on, I might become a still-life photographer and carefully craft lighting to create a beautiful image of an artifact. That afternoon, I might have to be a documentarian and follow staff members that are doing interesting work. 

If you’re familiar with my photography, you will probably know that I am typically the happiest when I’m in the studio working with lighting to create images that make our artifacts look beautiful. What can I say? I’m a bit of a control freak, and the level of control I get to exert in the studio is comforting to me. That said, every once in a while, it’s good to step out into the wide world outside my studio doors and take photos with less control.    Read more

These Are a Few of My Favorite Things

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Our Future Lies Upon the Water by Arthur Fitger ca 1901

I was going to come up with some witty lyrics; I swear I was, but it was too tough!

I’m fortunate. Sometimes it takes a pandemic to remind yourself of all the things for which you are grateful. For one, I am thankful that I get to photograph a collection as broad and as deep as that of The Mariners’ Museum. I miss my studio terribly, and I cannot wait to get back to taking photos of some spectacular artifacts. In the meantime, I’ve been taking a look back through some of my favorite images. I love some of these photos because of the object itself. Others I love because they represent breakthroughs in my photographic process. Some I love just because I think they look cool! Here are my ten favorite artifact photos from the last four and a half years.   Read more